Also signed by bands The Lumineers, Fun and Mumford & Sons, as well as by host and producer Ryan Seacrest, comedienne Ellen DeGeneres, actors Vin Diesel and Neil Patrick Harris, actress Jessica Biel, and actress/director Lena Dunham. Performers’ signatures in black marker include: Adele, Beyonce, Elton John, Jack White, Sting, Jay-Z, Bonnie Raitt, Rihanna, Jennifer Lopez, Alicia Keys, Kelly Clarkson, Adam Levine, John Mayer, Tim McGraw, Nas, Bruno Mars, Taylor Swift, Timbaland, Carrie Underwood, Faith Hill, Kelly Rowland, Quincy Jones, Wiz Khalifa, Ziggy Marley, Damian Marley, Carly Rae Jepsen, Travis Barker, Ne-Yo, Kat Dennings, Solange Knowles, Miranda Lambert, Miguel, Frank Ocean, Pitbull, Amber Rose, David Guetta, Skrillex and more.

Most signatures are quite large, some measuring 9” in diameter. Each musician signed his or her name while backstage, either during rehearsals or the show itself, which was held at the Staples Center in Los Angeles on 13 February 2013. Incredible 55th Grammy Awards collection of signatures from 70+ leading musicians who have shaped the contemporary music scene. graphic accounts and celebrations of streetlife designed to cause maximum offence to anyone who doesn't try to understand the social context.Fantastic 2013 Grammy Awards ”Green Room” Autograph Book - Signed by 70+ Celebrities Including Beyonce, Adele, Elton John, Sting, Jay-Z, Alicia Keys, Rihanna, Jack White, Taylor Swift, Etc.

NME (1/6/96, p. 33) – 7 (out of 10) – '.is as elegiac as it is capitalistic.

Rap Pages (2/96, p. 31) – 9 (out of 10) – '.a historical biography of Eazy-E's music that is a must-have for the archives.this compilation documents the life of one of West Coast rap's most important contributors.'.

was the first voice in hip hop that could be called weak.and thus it was petulantly aggressive in a way that was entirely new.'

Melody Maker (1/13/96, p. 29) – Recommended – '.those old pre-Compton solo tracks.are still the absolute f***ing bomb, even with, in fact, because of, the dated production.

Entertainment Weekly (12/1/95, p. 77) – '.hits like the groundbreaking 'Boyz-N-the-Hood' and the funky 'We Want Eazy' are enjoyably raw (and music history to boot).' – Rating: B+.

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